#why did this get me fucked up

[knightofleo]

Paralympian Hunter Woodhall watching his wife Tara Davis win Olympic gold in long jump

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[thatnununguy]

PLEASREE PLEASE SHOW MORE EQUIGAM ART PLEASE!!!!!!

When in doubt — post yaoi art. Or however the saying goes. Perchance.

[morganbritton132]

Adding onto Steve's crime spree from this (and this and this)

Eddie has determined that he's not asking the right questions in life.

Is he questioning the man? Yes. Every day.

Is he asking Wayne for help when his van shits the bed on Thursday? No. When his van is still unusable come Saturday, did he ask his friends if he could catch a ride to band practice? No.

Did he ask if he could get a ride home? Also no.

It's raining and Eddie regrets his life choices so hard, he doesn't notice the Porsche 928 until it blows through the crosswalk he was about to step onto. He's hit with a tidal wave of frigid early November street water because, of course, he is.

"Fuck's sake," Eddie swore, pushing his wet hair out of his face. In his perphery, the Porche slams on its breaks and rolls back into the crosswalk beside him, but he barely notices. Talking to the driver, the world, or god, Eddie does not know when he rants, "Thanks! Thanks for that, I really need pnumonia. Thanks for bestowing-"

"Sorry, man," Steve says, an apologetic wince sticking out of the open window of the Porche. "Wanna ride? I can take you where you're going."

Eddie looks at the car, then at Steve, and then back at the car and signs, "...Fine, but only because this car is beautiful and not to expunge your guilt."

"Dude, I don't think a sponge is going to help."

Eddie rolls his eyes but sticks his guitar in the trunk before sliding into the passenger seat. He has to physically stop himself from touching everything. He's never even seen a Porche before, wow.

Steve's in the driver's seat looking like he's dying for Eddie to ask about the car so he can talk about it. Honestly, Eddie wants to ask about the car. He probably should have asked about the car but instead, he shakes the water out of his hair like a dog as payback.

"C'mon, man," Steve complains, wiping the water off his face. "Watch the leather."

Eddie gives him directions and then bites the bullet. He asks the wrong question, "You trade in the Beamer?"

"No way. That's my baby," He says. "I'm just borrowing this lady."

The conversation is actually nice. None of Eddie's friends know anything about cars but Steve seems to know a lot. He can almost forgive the guy for being a jock and the psychological warfare he's bestowed onto Eddie's brain the past week and a half, but then-

“It sounds like - shit," Eddie says, echoing the same sentiment as Steve at the sight of flashing red and blue lights in the rear view. A question he should've been asking all along occurs to him, "Did you steal this car?"

Steve gives him an annoyed look and then rolls down his window, smiling that All-American smile, "Heya, Hop. Didn't think you were working today."

"This car was reported stolen."

Eddie swears, sinking into the leather with the hopes that it eats him. Steve doesn't even hesitate, "Let me guess, Mrs. Woolledge? Crazy she knows what all her neighbors are doing but not that her kid's on dope."

Hopper doesn't say anything and the silence is loud so Steve adds, "It's not stolen. It's my dad's car. I have permission."

"From your dad?" Hopper asks, getting an annoyed nod from Steve. "Same dad that's out of town?"

"Well, Hop. There's this thing called a phone."

"You get that MRI...right? Throw the keys out the window," Hopper says. Eddie's mentally preparing on how he's going to explain this to Wayne when he calls from jail. Steve protests. Hopper demands, "Throw. The keys. Out. The. Window. Now."

Steve seems to realize that he's pushing his luck because he does just that. He even gets out of the car when Hopper tells him to. Hopper tells him to get in his truck and Steve straight up lies, "Hop, I'm taking my friend home. We're working on a school project together. At his house.”

Eddie curses Steve's entire bloodline from start to finish when Hopper lookings directly at him still in the car, "That true?"

Say no. Say you don't know him. Say you know nothing. Say anything but, "Yes."

"What subject?'

"History," Steve says at the same time Eddie says 'Art' and then rolls his eyes, "Art history, yeah?"

Hopper nods like he thinks they're full of shit and then tells them both to get in his truck.

Steve protests but more about leaving the car on the street than anything else while Eddie briefly thinks about the psychic his mom used to know. He wonders if she could curse someone for real. Maybe he can call her from jail.

He's fully ready to see the police station that he fails to realize where Hopper's going until they’re in Forest Hills. He turns and looks at both of them and says, "I'd like to know what grade you get on this project."

"Aye, aye, Captain," Steve says with a salute, pulling Eddie out of the car. Once they're inside, Steve peaks out the blinds like, "Yeah, he'll sit there for a while. He thinks I'm lying. Wanna smoke?"

Eddie is baffled, "No."

"Okay," Steve shrugs and flops down on the couch. He pulls a set of keys out of his pocket and adds, "Spare key. We just gotta wait until he's gone and can circle back for your guitar."

The only thing Eddie can think is, “what the fuck” and he doesn’t even know which part he’s talking about.

[boarloved-art]

Wei Wuxian should be able to get drunk for once. I think he'd either be singing bawdy drinking songs on the roof of the Jingshi or he'd be getting irrevocably lost no matter where he is. He's found in the bushes behind the mountains like a cryptid, and then he's like "I can't believe you all got lost" (extremely slurred) as if he didn't get embarrassed by something Lan Wangji had said and just somehow disappeared when everyone looked back at him

oh ABSOLUTELY im walking with u and nodding and agreeing, i can see him becoming an absolute menace to keep track of at his drunkest.

anyway heres wonderwall The Gang (Wangxian & their fave group of ducklings) in a city known for its STRONG wine and wuxian being like well. ur all grown now, youre technically not juniors anymore. we have to see whos lasting the longest against this stuff!, smash cut to a suspiciously wei ying-less group of the worlds drunkest cultivators being wrangled through the woods by designated driver hanguang-jun, with at least 2 of them clinging to his robes at all times.

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[just-null]

HELLO HANTENGU NATION (5 people)

I'VE MADE AN [unofficial] HEIGHT CHART FOR MYSELF

Hantengu: 5"5 (166cm) Sekido: 5"9 (175cm) Karaku: 5"9 (175cm) Urogi: 5"9 (175cm) Aizetsu: 5"9 (174cm) Zohakuten: 5"3 (160cm) Urami: 8"5 (257cm)

[little aftermath under the cut]

they're so annoying. peace is nonexistent... they're the best ever.

[naggascradle]

[backpackingspace]

Okay so with the line "the olive tree where we first met" we have two equal hilarious options.

When penelope was sassily like oh I'll marry you if you make a living bed out of this tree right here! Cue penelope stumbling over odysseus very very carefully digging up the tree "because how else is he going to get it to itacha we can't have a wedding bed out in the open in sparta duh"

Or

2. Penelope, knowing that Helen's suitors would soon be arriving to take over her home for a while. Snuck out and went on her own wacky shenanigan filled journey where she scoped out all the major players. Odysseus caught her spying in an olive tree. And when she got back she told Helen she had dibs on the cutie from itacha.

[mohntilyet]

the two most important voice lines in all of veilguard. to me.

[transmasc-slykinnie]

Iiyo

(Non gif version)

[the-great-horse-cocktail]

Alternate timeline where Stanley doesn’t accidentally ruin Ford’s project but he still doesn’t get into Geek Life University bc some kid showed up with a baking soda volcano

[bluebutlikenotalways]

Now THAT’S what I call a wet dream hahahahaaahaaaaahAAAaaahaaaaaaaaAaaaaaaaaaaaaaaaAAAAAAAAAAAAAA

AAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

I know this is the only part you care about

also I got all the character references from cosmicwhore because they literally the one who got me into these two in the first place

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[kiaxet]

HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH

Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?

~~~~~~~

Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.

He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-

And he snaps back upright. No. Not until he can confirm Leo is okay.

Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-

He jumps and whips around as a thud sounds behind him. "What the-"

Leo is on the floor.

Well, that answers the question as to whether his twin is awake.

For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-

"Leo!"

He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"

He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.

This almost didn't happen.

"-stupid, stupid selfless idiot!"

Donnie almost couldn't save him.

"Grrhh-"

Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-

"Do you have any idea how close you were to having nothing left to save?"

And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-

Oh for fuck's sake.

"Hey. Are you even listening?"

Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"

And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.

He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"

And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"

For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-

And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-

Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-

But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.

It's Leo. It's Leo-

And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.

He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?

Oh.

"I'm sorry I..uh…"

He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?

…yeah, it's all of the above.

He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.

It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.

And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.

~~~~~~~

Donnie is yelling at him.

Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.

Donnie is yelling at him, because Donnie is here to yell at him.

And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.

It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-

-he is, right? This isn't just a dying hallucination on Leo's part, right?

(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)

He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"

The Krang show you what you want to see.

The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-

And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-

But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-

"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-

And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.

And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-

And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-

And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-

It's something the Krang could never imitate.

This is real. This is all real-

He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.

And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.

It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.

His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.

Donnie had mentioned his stupid jokes, right?

"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"

"What?" Oh, Donnie is not going to see this coming. Excellent.

"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.

"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-

Remember what happened last time Donnie fell asleep next to you.

He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.

But he's alive, and healthy, and sleeping. He's okay. And Leo-

Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.

Okay. Take stock. Assess. Figure out a plan from there.

He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.

Well.

Uh.

"What the fuck," Leo whispers to the room at large, as though the walls could answer.

~~~~~~~

(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)

(What the fuck, indeed.)